Gregory G. H. Rihn (milwaukeesfs) wrote,
Gregory G. H. Rihn
milwaukeesfs

V for Vendetta

The GOOD movie we saw over the weekend was "V for Vendetta". The graphic novel was one of the first, along with "The Watchmen" that was really worthy of that name. I read it when it was first published, and found it to be a powerful indictment, not only of Thatcherite conservatism as then practiced in Britain, but of the smug Reagan policies then current in the USA. Although the famously iconoclastic and pricly author, Alan Moore, has not permitted his name to be used on the film, I found the film to be a fine adaptation of what has become an even more timely story. In the ear-future, we find Britain a facistic dictatorship. The "former" United States have degenerated into chaos and civil war following the disastrous consequences pf "their war", and unspecified overseas adventure gone terribly wrong and that has left much of the Third World devastated. People of color generally and Muslims in particular are endangered species, and the goverment has extended its repression to homosexuals and, of course, any dissidents.

As the story opens, we meet Evey (Natalie Portman), who is out after curfew and falls foul of the brutal secret police. She is rescued from them by the masked anarchist "V" (Hugo Weaving) who unintentionally gets her in worse trouble as she is captured on surveillance camera in his company as he blows up the Old Bailey in the name of Justice. What happens after that is a powerful, dramatic, and sometimes brutal story that unfolds the origin of "V" as it is entwined with the rise and eventual fall of the corrupt government of "arch-Chancellor" Adam Sutler (John Hurt).

The film raises good issues of conscience, freedom, and the costs of security. "V" is pretty clearly a "freedom fighter" rather than a "terrorist" at least to the audience, but one could legitimatly ask how justified, and how effective, some of his tactics might be. (In true movie hero fashion, he manages to accomplish even major actions without apparent harm to innocents--.)

Portman and Weaving are well supported by a distinguished cast of British actors, including the aforementioned Hurt, who spends most of the movie expostulating on a big screen from an "undisclosed location", Tim Pigott-Smith as the creepy chief of secret police, and Stephen Rea, the honest cop tasked with tracking "V" down. All Weaving's acting has to be carried by voice and action, and he does very well. Portman is excellent, also.

This film has my highest recommendation. All who can should see it. The movie is rated R for strong violence and some language.
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