This was a revival of a 2006 production (reviewed back then in this journal) played mostly on a bare stage set with a few necessary pieces and with light. There seemed to be some tweaks to the new appearance: we believed the lighting was brighter and more colorful than in the past.
This was perhaps musically one of the best casts we have heard in a long time. Alexander Dobson (Don Giovanni), Emily Birsan (Donna Anna), Emily Fons (Donna Elvira), Musa Ngqungwana (Leporello), Brian Stuckey (Don Ottavio), Ariana Douglas (Zerlina), and Leroy V. Davis (Masetto) all sang beautifully and acted very well into the bargain. The brightest jewel of the collection was Ms. Fons, who sang the role of the obsessive Donna Elvira with power and tragic beauty while still managing some genuinely funny interactions with the other characters. David Leigh as the Commendatore gave good support (and got to come down front in the final scene, an improvement in staging from 2006), and shows promise for the future.
We still didn’t care for the purposeless hooded figures stalking across the stage, or the “escape from Hell” joke at the end, but the singing made it not matter.
Maestro Joseph Resigno once again conducted, leading the orchestra flawlessly.
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