Saturday the 16th was the final day of the Madison Early Music Festival, and a day for two big concerts by the participants. That morning, we got breakfast at a restaurant called “Manna,” located in a small strip shopping center on Madison’s north east. Everything we had was excellent. My scrambled eggs were light, creamy textured, and very tasty. Georgie had the house specialty, oatmeal pancakes, which she pronounced delicious and filling. She also bought some samples of their other baked goods for later, which were very good also.
In the afternoon, we were treated to performances by the “Advanced Loud Band,” and the “Early Opera” workshop.
The phrase “Loud Band” refers to an ensemble containing wind instruments, specifically shawms (oboe/English horn ancestors); sackbuts (early trombones); and dulcians, which are a family of bassoon-like instruments. “The London Waites,” as the group called itself, played an entertaining selection of music from Shakespearean England.
Early Opera Workshop, “The Fairy Queen,”
The Early Opera Workshop put on a condensed version of Henry Purcell’s masque, “The Fairy Queene.” This is always one of the more challenging sessions, since the participants, in addition to learning the music, have to stage the opera including blocking, and finding (referential) costuming, and minimal props. This was a very entertaining performance. All the singing was excellent, and dancing and acting enthusiastic and more than adequate.
We were keeping dining simple this weekend, and got dinner at Potbelly Deli on State Street. A very basic but pleasant hot sandwich shop that we again have found reliable. They use good ingredients and have a nice variety of drink options.
The evening’s Pre-concert lecture, was by Prof. Emeritus John Barker, and entitled “Elizabeth I as a Politician”. This was a very enlightening and entertaining talk, which brought out the fact that “Good Queen Bess” was not in fact popular with many of her subjects, and relied upon a variety of stratagems in order to keep her throne.
Saturday evening, was the All-Festival Concert, which was quite spectacular. The concert theme was “A Day in the Life of Shakespeare’s London,” and began with Holborne’s “The Night Watch,” and a choral piece by Orlando Gibbons called “The Cries of London,” which is based on the sales calls of the various merchants and mongers of the city in that time. This was quite a revelation, the piece was wonderfully complex, very modern in sound, and exciting to listen to.
The concert was very well put together, with some deep scholarship put into assembling the music and the readings, with some very obscure but appropriate readings chosen, such as a speech about the Queen at her prayers from Henry VIII, and Lorenzo wooing Jessica, from The Merchant of Venice.
Listening and watching this concert made me realize how amazingly much work had gotten done in eight days. Just putting together this concert, which consisted of twenty-four musical pieces and ten readings, in that time would have been a major work by itself. Then, when you consider that in addition, the Loud Band played twelve pieces in its concert, there were twenty-four numbers in The Fairy Queen, and twenty-nine pieces in the Participant’s concert, a huge amount of music was taught and learned. Out of all that, there were only three or four false starts, which I consider truly remarkable.
All praise to the Madison Early Music Festival staff, faculty, and participants. Well done, all around!This entry was originally posted at http://sinister-sigils.dreamwidth.org/299007.html. Please comment there using OpenID.