The various singers seemed to have great fun with the elaborate practical joke/revenge plot initiated against Eisenstein (Corey McKern) by Dr. Falke (Jonathan Beyer), which involves luring Eisenstein to a party under false pretenses while he supposed to be reporting to jail for having kicked a tax collector.
At the party, Eisenstein makes trouble for himself by flirting with his masked wife, who’s there because her would-be lover Alfred (John Pickle), has been arrested and taken to jail in Eisenstein’s place.
The plot all works out with great good humor, and a healthy addition of local references and inside jokes. Alfred is advised by jailer Frosch (William Theisen) to call “Gruber Law Offices” when he asks for a lawyer: Alfred, a singer whose voice Rosalinde finds ravishing, sings snatches of Tosca, Turandot, and, in the jail cell, “Nobody Knows the Troubles I’ve Seen.” Eisenstein gets in on the fun, crooning “I’m Going to Maxime’s” (from The Merry Widow, by Strauss’ competitor Franz Lehar) on the way to the party.
Mezzo-soprano Amanda Crider in the role of “Prince Orlofsky” presented the character as an homage to the late musician Prince, sporting his trademark hairdo, and wispy mustache and facial hair. She also had a good repertoire of rock-star poses and gestures down. Jamie-Rose Guarrine was very funny as the truant chambermaid, Adele.
All the cast and the chorus sang wonderfully well, and were well supported by the orchestra under the direction of Maestro Joseph Rescigno. It was a lovely afternoon at the opera.
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