Draft horses, as with a number of the other animals, are at the Fair at different times. The first week, the Clydesdales are featured, and while these are inarguabley magnificent animals, we find the Belgians and Percherons more aethetically pleasing. All of them are HUGE. A four-month-old colt can be as large as an adult horse of other breeds. It's really kind of intimidating to realise that the animal is not only taller than I am at the withers (in excess of 17 hands) but all the length of the back. Nevertheless, these powerful beasts let us rule them, and it is awe-inspiring to see a young girl perched on the docile shoulders of one of them as she plaits ribbons into its mane. We watched judging of the Junior Mares Cart Class for both Percherons and Belgians, and I was pleased that after watching a couple of rounds I was able to pick out the best in class by carriage and stance.
We caught bits of other performers, but made a particular effort to catch the whole performance of the Golden Dragon Acrobats and were not disappointed. (In our opinion, this was worth the price of admission, alone.) The show was on a stage in the big exhibit hall building, which gave necessary height for the performance, and fortunately, there was not too much ambient noise. (The hall has a metal ceiling, which gives the general acoutical ambiance of a galvanized washtub. More than one musical performance in the building at one time results in cacaphony--.)
The troupe consists of a dozen or so women who gave some outstanding and new (to us) exhibitions of strength, flexibility, balancing, and juggling, some of which were truly astonishing. Imagine juggling a solid wooden card table with your feet while lying on your back, and then tossing the table (with your feet) to another person, and catching the one that has been tossed to you by a third person! Imagine lying on your back, balancing candlesticks on the soles of your feet, palms of your hands, and forehead--and then turn over onto your stomach--.
There was one aspect to the performance that bemused me. The 'star turn' was the only act presented by a man. (There were six others with the troupe who did "roadie" work and general tumbling--.) This was a classic chair balancing routine, wherein the performer ends up doing handstands twenty or so feet above the stage atop a stack of balanced chairs. It is very impressive and requires great balance and enormous strength. However, I do not think that it was as difficult as many of the acts the women did, but drew much more applause. I suppose the fact is that American audiences are more impressed with overt strength than subtle skill, and the placing of the acts shows the Chinese have figured this out--.
(Digression: I have become fond of the distinction between "easy" vs. "hard," and "simple" vs. "difficult." Easy/hard refers to the effort required; simple/difficult refers to the complexity of the task. Therefore, rolling a large rock uphill is hard, but simple. Repairing a watch is easy, but difficult. In this context, the women's juggling and balancing were very difficult, but perhaps not so hard. The man's stunt was hard, but not nearly so difficult--.)